Archives for posts with tag: the care and feeding of artists

I woke gently this morning. I woke slowly. My consciousness unfolded in a lovely way, without anxiety or stress, or residual negative emotions left over from unremembered nightmares. I woke feeling very little pain, minimal stiffness, and feeling comfortable in my body. I woke feeling beautiful, well, and pleasantly sensuous, enjoying the sensations of skin against sheets, blankets, pillows, and the softness of the morning air. No headache. Heart soaring. Feeling inspired and eager to face the blank canvas on my easel – and metaphorically, the blank canvas of my day, and my future. I woke loving, and feeling loved, in the quiet solitude of comfortable surroundings, content and aware that love does not require proximity outside my own self-imposed attachments.

I woke to a quiet household. I contentedly made my coffee, contemplating what things I might get done today, and feeling artistically inspired – today is a good day to paint, and I’ve got a number of concepts sketched out that I am ready to make come alive, even some new notions this morning that I am eager to sketch and get started on. It is, in nearly every respect, an ideal day to paint. Currently, there is simply no room to do so. The space set aside for me to work has filled with another project, which has stalled temporarily due to real life happening, in spite of plans. On some other day, this could result in a lot of suppressed resentment festering in the background, and find me feeling unimportant, lacking in value, not well-cared for, and not understood.  Today is different. Sure, it’s frustrating, and I earnestly want to live in an environment that truly supports me creatively, one in which ensuring I can paint when I am moved to paint, write when I am moved to write, listen to the music I love, sing, dance, and simply be this specific human that I am, is among the highest priorities of the household day-to-day.  As with so many things, there are verbs involved, choices to make, and I am my own cartographer on this journey.

I am working on getting into a live/work space that really meets the needs I have at this point in my life; choices are made, verbs are verb-ing in an appropriate order, and at a reasonable rate of progress. In the meantime, rather than blow a lovely day feeling creatively frustrated, I am feeling strong, feeling creative, and feeling joyful now, with what is.  It’s a lovely morning. My coffee is hot and tasty. I feel inspired – and I am not limited to canvas and brush; I have all these lovely words, and ideas, and broad blue skies, endless paths to walk beneath them. It is a lovely Sunday to rise from the wreckage of my chaos and damage, and practice the beautiful Art of Being.

The humble dandelion stands out in a crowd; her strength unmistakable, her beauty her own.

The humble dandelion stands out in a crowd; her strength obvious, her beauty her own; it is no concern of hers that some see her as ‘a weed’.

Today is a good day to bring order to small corners of chaos. Today is a good day for good practices, and good self-care. Today is a good day to treat me well, and enjoy who I already am. Today is a good day for sketching, and laundry, and photographing the very first roses in my garden. Today is a good day to be, and to become, and to celebrate personal rebirth. Today is a good day to practice the Art of Being.

Well, I suppose the aphorism is slightly different, for most. “Home is where the heart is”, is more likely to ring true. For me, it hasn’t been enough… Do I lack ‘heart’? That seems unlikely from the vantage point of being generally well-regarded, mostly valued, and living life embraced by love. But… living in a particular building, or at a specific address, has not been sufficient to define ‘home’ for me – even though I live with loved ones, in a generally comfortable, pretty contented day-to-day sort of way. It has seemed very odd for some time.

I’m not always sure what being an artist means, precisely. I’m not sure how being an artist defines me differently than being someone who paints an occasional painting, or creates something of great beauty once in a while; it’s the beauty created that matters more. I am uncomfortably aware in recent months that my own art speaks to me, myself, with an earnestness and import that has resulted in feeling pretty displaced and homeless not seeing it displayed all around me in my daily life; it hadn’t been hung. There’s a lot of it. One or two paintings made it to the walls over the past couple years… I have… dozens. Hundreds? I paint like a madwoman, I am not shy about admitting that. The bare expanses of wall started working on my mind, over time; the stacks and stacks of paintings at the ready, the cabinets of smaller ones, the carefully boxed (between layers of protective acid-free tissue) unframed watercolors… all waiting…all part of who I am…all disregarded in favor of day-to-day minutiae and drama, and seeming unimportant to anyone but me.

The pain of it diminished considerably when I realized in an honest and aware moment that the bare walls left me feeling quite ‘homeless’ – more ‘deployed’ than ‘moved in’; it wasn’t about anyone else’s choices or actions, and I hadn’t expressed how important seeing my working hanging really is for my day-to-day comfort and contentment. I could communicate the experience once I found words for it, and phrasing that didn’t sound like an attack on life and love. Communication is a pretty big deal, and best done in an explicit and clear way on practical matters, such as the hanging of art… or the care and feeding of artists. 🙂

Use your words. Seriously. (Also, use them gently!)

"Emotion and Reason" 2012 detail

“Emotion and Reason” 2012 detail

I arrived home last night to find that quite a number of paintings had been carefully hung… really, more ‘installed’ than hung; the care in hanging them, the considerate and meaningful placements done so skillfully that ‘hanging paintings’ hardly describes it. I sat, in the evening, feeling very much more ‘at home’ than I previously had for 2+ years. Does it make ‘everything right with the world’? Hardly. Even the delight of the artist herself, surrounded by her work, isn’t ‘everything’, is it? I do feel loved, and greatly cared for to see so many of my very best pieces hanging all around.

There are more to come, more space for art, walls as yet untouched by color or vision…and I certainly have enough work to take care of that! I expect there may be some movement, some changes, swapping this one for that one… My traveling partner has a keen eye for color, contrast, form – and a lovely aesthetic. If I have the choice between hanging my own work, and having him do my installations for me, I definitely prefer to step aside and give him room to work. I frankly just ‘hang paintings’, and not very well – they’re level, sure, and generally at an appropriate height for viewing… but I’m prone to just shoving as many pieces into a given area of blank wall as what I think will fit… resulting in a dizzying mosaic of color and glow that suits only me, and overwhelms anyone else.

I have no idea what today will hold…but I am already looking forward to returning at the end of the work day, to be surrounded by what matters so much…love, and art.