Sometimes it happens. A sound. A weird shadow. A scent. Something “brings it all back”, and I find myself triggered. Again. This is always unpleasant. When I’m at work, and my time is not my own, it’s beyond unpleasant, and worse than “not ideal”, by far. It has career limiting potential.
[No AI is used in writing or editing this blog. This is human content for human readers.]
…When a colleague leaves work abruptly for no obvious reason, dropping everything to make haste for the exit, it’s the kind and compassionate option to assume positive intent, and to understand that we all go through some shit…
Well, I haven’t left work (abruptly or otherwise), I guess maybe that’s a win? But I’m sitting here shaking uncontrollably, as if shivering from the cold (it’s not cold in this library, and I have a fleece on). Back to back messages from my Traveling Partner, followed by a phone call (while I was already on a work call) – an emergency? I mean, for some values of “emergency” I guess. No one was bleeding. No one was at risk of imminent death. Nothing was on fire. Being triggered does not ask those kinds of questions or set those kind of limits. My beloved brought his stress to the person he felt could most likely resolve it – totally makes sense. Unfortunately, the details, and the emotional load, were such that I also became triggered.
…Now I’m dealing with my shit. At work. No one needs this. I definitely don’t need this. (I’m sure he didn’t either.) So… now what? My personal demons are taking great delight with the circumstances as I sit here shaking. My headache tears through the left side of my face as the tension causes whatever causes my occipital neuralgia to flare up. I feel my clenched jaw being… clenched. Fucking hell.
No seriously – now what? Now-fucking-what, b1tches?! (Inappropriate. I can do better.)
I take a breath, and exhale slowly. I take another. I keep breathing. Exhaling. Relaxing – or at least trying to. I pull my posture more upright. I stand and stretch – still taking those deep cleansing breaths. I let work fall by the wayside for a moment – well, for 10 minutes, with a timer. I don’t think about it piling up. I don’t think about who may be waiting for a question they need an answer to. I just breath. Stretch. Let my mind wander a bit.
…Type a few words…
It’s not a perfect solution. It doesn’t always resolve the panic of being triggered – but it beats nothing at all. I dig around in my purse; this calls for prescription strength anxiety relief. I take a moment to appreciate how rare that really is these days…
I dance around the room on stiff legs, feeling the sore muscles of a good weekend of painting, and starting the packing. It’s a different playlist this morning, different songs, and a different path – back to life, back to reality. Four new paintings – not a bad weekend of painting. I’m pleased with the work. The coffee in the room isn’t terrible this morning, either – it’s almost good. It’s definitely coffee.
[No AI is used in writing or editing this blog. This is human content for human readers.]
Home this morning, later. Each time I pass the new work as I move between tasks, I feel “lifted”. I feel restored and recharged and satisfied. It’s not the satisfaction of cheesecake, or even of good coffee. It isn’t the satisfaction of good sex. It seems very much it’s own thing, most closely similar to the satisfaction of “coming up for air” after reading a really great book… only… I “wrote the book”, too. I only achieve this feeling from painting, and occasionally from writing (poetry, generally, when that happens). Is it about creating – or expressing? I’m not sure. Maybe answering that riddle will “break the spell”?
One measure of satisfaction.
I sigh to myself happily. Oh definitely actually happy; it is a wonderful feeling, however fleeting. It is no wonder people chase this emotion (although that’s no way to achieve it). I sip my coffee and reflect on the weekend. It has had some lovely high points.
Serendipity and timing; getting that lucky shot isn’t something to plan.
I still can’t quite believe I slept in so effortlessly, every morning, waking to the sound of gulls and morning sunshine, or the alarm for my morning medication, or some other “not early” event. It was delightful. I was unsurprised and did not resist when I woke at my usual time this morning, well ahead of the sun. I got up, showered, dressed, and got a walk in, down on the beach in the darkness (with my headlamp on). The tide was out, and the broad expanse of firm beach let me get a good mile or so of walking before my coffee. The resumed routines click into place like dominoes made of comfort and familiarity.
I’m out of coffee, and don’t feel like upsetting my tummy with black tea. I decide to walk down to the closest cafe, which makes an excellent cup of coffee, and maybe a breakfast sandwich? I give that some thought, staring out the open balcony door at the misty foggy morning beyond the hotel. A good day to return home, I think to myself, lacing up my boots. I gather a couple packed items already ready for loading into the car; if I take them down with me now, it’ll feel less like hustling later.
Foggy misty morning. Time to go home.
Back with coffee, and a small fresh almond croissant – I don’t think I’d have believed these were made in-house if I hadn’t seen her rolling out layers of pastry dough yesterday afternoon, and seen them pulled from the oven this morning. The pleasing, somewhat grainy coarseness of the marzipan suggests that, too, was made right there. It’s a treat, and I savor it with my coffee and watch sea gulls on invisible air currents watching me, in case I might decide to share.
It is clear this pigeon considers this balcony “theirs”.
I breathe, exhale, and relax. A wee bite of breakfast and a good cup of coffee help get me going for the day, for real. There’s packing yet to do, and maybe I have time to paint just one more piece… I think about it and sip my coffee. I remind myself that I don’t need to be here, to paint; my studio is well-equipped for it. I didn’t even come here for inspiration – I brought an ample supply with me. I simply needed a bit of a break, and some solo time. I could have come here for inspiration – and surely would have found it – but that was not the need being addressed this time. I needed time in my own head, uninterrupted, focused, creative time spent immersed in the processes to do with painting. One challenge my Traveling Partner and I share is my apnea; I’m as prone to sometimes just not breathing when I’m awake, as I am when I sleep. It’s been that way for some unknown measure of time, and while the CPAP machine is a great solution for sleepapnea, it’s not particularly well-suited to daytime hours. The result is that I sometimes stop breathing while I’m deeply engaged in painting (or thinking, or reading), and as my SpO2 level drops and my body begins to do what bodies do when someone isn’t breathing, the signs of physical stress (unnoticed by me, often), get to my Traveling Partner and cause him stress, too. We are social mammals. We’re made to detect stress in “the herd”.
[Note: I’m not a doctor, nor am I a biologist, nor scientist armed with rigorous research, just a human being, being human, and noticing some things – don’t make important life decisions based on what some blogger said!]
The result of me not breathing goes beyond the eventual stress it will also cause to my beloved, himself; he will seek me out, interrupt whatever I am doing, and remind me to breathe. He’s not being mean or undermining my focus deliberately for some ill purpose, he’s taking care of me (and himself). It is also an interruption, and it does mess with my creative headspace, and that can make it hard to paint and enjoy the experience. (So, um, breathe, bitch, jeez.) Staying “too aware” of my breathing can also undermine my creative focus. It is a difficult path to follow. …But this fragile vessel does need oxygen. That’s pretty much non-negotiable. I smile to myself, grateful to have a partner who really does care whether I live or die. It’s a nice feeling to be loved.
I look over the new work again, before gently packing it for the trip home. This is always a process I face with a hint of concern, working in pastels. The work is relatively fragile, especially compared to the highly durable nature of acrylic work. I worried it will become smudged or scraped, or bent, or damaged in some way before I can place it somewhere carefully until it is framed. Oh, not worried enough to wreck a lovely morning, but there in the back of my mind is always that bit of concern. I know to work with care, when I pack them.
I sip my coffee contentedly. Gratefully. It’s been a splendid break. I think I found some shards and lost bits of myself over the course of these few days. Handy, and also worth further reflection. A stripe of blue sky tears the dense gray clouds with a bit of color. Pretty. A good time to begin again, I suppose…
I sip my coffee gratefully. It’s good. Really good. I am having a lovely ham and cheddar scone (“Made right here!,” the barista told me proudly). The scone is also quite good. It is a pleasant beginning to a day of painting. I smirk at myself, aware that although I did sleep in, I was up quite early, and I’ve already gotten a pleasant walk along the beach at low tide, before getting my coffee at the (new) cafe that is very near to the hotel. For most values of “beginning the day”, this misses the mark. It’s fine. Close enough.
[No AI is used in writing or editing this blog. This is human content for human readers.]
So, yeah, in spite of the title, my coffee was not actually “a beginning” in any meaningful way, it’s more “between” things. It is between my waking and my painting. It is between my walking and picking up more bottled water for drinking. It is between planning to shower, and actually showering. It is, however, before any painting that I may do today. (Fucking writers, man, always twisting things and making shit up. Damn it, words are not toys! LOL)
…It’s good coffee, though, and I’m glad to have it, and I will enjoy it before I begin to paint, sitting here on the balcony of my hotel room, watching the tide come in, feeling the playfulness of this moment in the morning…
Siletz Bay, low tide.
A gull sails back and forth just beyond the balcony, watching me (or more specifically, this scone I’m nibbling on). My laptop is balanced on my lap as I sit here, feet up on the other chair, writing and drinking my coffee. I know how this works; if I take my eye off that scone once I’ve set it down to put fingers to the keys, that scone is immediately at risk of being snatched by a quick and wily seagull. A ham and cheddar scone is probably not the best food for a seagull, but neither are crisps, or cookies, and I’ve seen the gulls snatch those from careless snackers many times. I’m tempted to toss a piece of my scone out beyond the balcony rail to watch the gull skillfully snatch it from the air, but doing so will only bring more gulls, and sometimes they can be aggressive about grabbing snacks, so I decide against doing that.
A view of the channel through which the bay empties into the sea. (Squint and you may see fisher-folk enjoying the season.)
It another gray morning. I take my time with my coffee while it is still hot; the light is not yet sufficient to paint by the natural light coming in through the open balcony door, and I dislike the yellow-y light of the overhead light or the table lamp. I think I’ve always disliked that strange stale-looking yellow light of incandescent bulbs. I find something sad and sinister about incandescent lighting, most especially in overhead lighting fixtures. I sigh contentedly, in spite of having to “wait for the light” this morning; this cup of coffee is really good. Also, my beloved Traveling Partner pinged me a good morning greeting, and we exchanged a few words and a couple selfies. Of all the uses of a selfie, this is the one I find most suited to living well; sharing one with someone fondly, to connect and close the distance between us, out of love. That’s beautiful. So is my beloved. I sit grinning at the picture he sent me, sipping my coffee and feeling love, loved, and grateful.
I breathe, exhale, and relax, and enjoy the moment.
A gull lands on the balcony quite near me, eyeing the last bite of scone sitting beside me. I’m a little intimidated by the size of this gull, and I sit quite still to see what is to come of this moment, here, now. The gull steps toward me, one step at a time, slowly, then reaches his neck out and takes the prize, and hops backward quite suddenly, and rather awkwardly, with the last bite of scone in his beak. Fair enough, enjoy that bite, silly bird. “Go on with you, then, you got what you came for,” I say out loud. I reach for my camera – if he’s going to linger, I’m going to get a picture, I think to myself. He immediately takes flight, and soars out across the bay before landing on a broad expanse of exposed mud flat.
I sigh to myself. It’s hard to beat coastal time for relaxation (in my experience). Even the dense beautiful green solitude in the forest doesn’t hit these heights of “chill time” in the same way. The wind and the waves here silence my tinnitus in the most remarkable way, and unless I go to one of the sloughs or marshes, I’m unlikely to be dealing with a lot of buzzing or biting insects. The tides almost beg to be watched, coming and going, for long lazy hours of uncounted minutes. The clock seems to stop ticking. Funny thing, I don’t think of myself as “a seashore person”, and I don’t swim often (I don’t prefer to be immersed in water at all, really, unless it is a deep hot bath). I don’t sail or aspire to it, and don’t own a boat, or spend time on them. It’s the sight of the sea, the smell of the wind and the sound of the waves, that hold my attention. They connect me with my Granny, who loved the sea and life on the Chesapeake. They connect me with my Mother. They connect me with my Dear Friend. I love being here by the sea, and for my own reasons I enjoy this strange shallow muddy bay, along the rocky coastline of Oregon. It empties until only a thin ribbon of the Siletz River winds through it, emptying into the ocean through a small channel between Salishan Beach and the beach here at Taft, where this hotel sits. Yesterday at high tide, I watched a man and his dog playfully wade out almost to the other side of the bay, without ever stepping into water more than waist high. I’ve stayed in this very hotel during a season of “king tides” that were extraordinary, and feeling the hotel rocked by the waves crashing into the rip-rap holding back the sand and the tide, and keeping the hotel on it’s foundation, was quite terrifying at times, and I definitely regretted my ground floor room on that visit, although I don’t think I’d have enjoyed the swaying reported by guests in 4th floor rooms, either.
…this coffee is quite good…
I sigh contentedly, feet up, coffee cup warm in my hand, the sound of the wind and the waves in my ears, and grateful for this chance to really rest and put aside the routine of a typical Monday in favor of this calm joy. “Home, tomorrow,” I think to myself – and I’m happy about that, too. I miss my beloved. I feel the change of the season coming, and I will find comfort in his strong embrace. Soon. In the meantime, I’ve got this day to myself, to paint, and to reflect, and to be. It’s enough. More than enough. I finish my coffee, ready to begin (again).
Or, more specifically, in it. It was the “joyful noise” that distracted me from what I was doing, which was a less than ideally productive bit of messing about with a painting I already knew had “failed” – so I was working and overworking it, trying to find something in it worth keeping. I did not. The noise down on the beach wafted up at regular intervals. Cheering. Clapping. A crowd of merry-makers. It is, after all, a beach, and it is the end of summer.
[No AI is used in writing or editing this blog. This is human content for human readers.]
My back was aching, anyway. I stood and stretched to take a break and step out onto the balcony to see the source of the noise. A dense gathering of people, on day I might not expect so large a crowd unless for a planned event (like the kite flying event going on further up the beach this weekend). I watch and listen. I can’t make out the words, other than an occasional call for “the next” to come into the water. There the crowd, on the edge of the water. The bay is very shallow and it is low tide (just 12 minutes ago). There is a man separated from the crowd, further out, where the (very) shallow bay reaches waist deep on an average-sized man, which this one appears to be. He raises his arms to the sky, calls to the next person, they come to him in the water – and he dunks them in. The crowd goes wild with cheers, clapping, and calls of “hallelujah!”. Full immersion baptism is still a thing in some Christian denominations. (I can’t say I really “understand”, but understanding is not what religions are about.)
…I rather question doing that sort of thing in the muddy water of Siletz Bay, but it isn’t my religion, and I really just don’t have a horse in that race…
I stand on the balcony watching for a little while. I find myself wondering why the many followers of the god of Abraham, Isaac, and Moses Jacob* don’t all recognize each other on the path? Why are they at odds, ever? The ink on a set of holy documents is barely dry before older sects decry the false gods and heresies of a religion that just seems like more of the same to me, with my outsider’s perspective. Fighting like poorly behaved siblings, and very much in need of a nap. Real community develops around shared ideas (and suspicions), but it is a shame so much damage is done in the world over religion(s).
A September morning at Siletz Bay, and no hint that a sunny afternoon is ahead.
I take a breath of the clean sea air. The afternoon is warm after a chilly, overcast, misty morning. When did that change occur, I find myself wondering. I had been “distracted” from watching the clouds and the changing tide, focused on a small 5″ x 7″ piece of carefully prepared board, on which I had been utterly failing to achieve anything that could actually be called “art’. The colors came out muddy and imprecise, and the lack of precision wasn’t the serendipitous sort I often count on, it was more the failed chaos of the lack of clarity of mind that sometimes comes “as a side” with inspiration (for me). Too many ideas, and I failed to select the focal point of the work with sufficient care. The piece doesn’t know what it wants to be, at all, and our dialogue fails to reach an understanding between thought and execution.
Afternoon sunshine, ripples on water.
…The warm afternoon sunshine cares nothing about such things. I make a cup of tea and take it out onto the balcony, to listen to the waves as the tide turns…
I briefly consider taking pictures of the baptism ceremony happening on the beach below me, and decide against it. Isn’t part of what’s gone wrong in the world the loss of privacy from too many of our personal moments being photographed by (or for) strangers and unseen cameras? Turning our lived moments into “content” for the broader consumption of others is a little weird, is it not? Were I participating in such a moving personal moment as my baptism into a religion, I would certainly not want to discover later that it was published somewhere, in an article I had no opportunity to see or consider, putting me on display for anyone at any moment. Nope. I would not care for that at all. So… I put my camera down, and sipped my tea instead.
A recent sunrise near home. A moment of lived experience that will never be repeated quite as it was.
We make moments. We make art. These are very human things. Lived experience. You know what “AI” doesn’t have? Any of that. No comprehension. No emotion. No pleasure in a moment of lived experience. No context. No compersion. No joy. No ability to grow wisdom through failure – because there is no understanding. I watch the sun beginning the slow summer journey from afternoon to eventual nightfall. It’ll come when it comes. Watching a sunset on a warm summer afternoon is also a very human experience. However many times you might get an AI to describe a sunset, it has never seen one. You may not like everything about every group of people, but do you really want to abdicate human decision-making about human lives to some thoughtless algorithm that doesn’t understand the consequences of its decisions and can’t comprehend the outcome? That can’t ever understand the emotional and real-world cost of taking human lives? I sip my tea and think my thoughts as I watch the human beings on the beach doing human things. Living their lives.
An unexpected visitor.
Gulls sail past on eddies of air currents invisible to me. They watch me sitting on the balcony, expectantly. Will I, perhaps, bring something tasty out onto the balcony and carelessly look away? They are practiced at this. I can see from the spatterings of bird poop on the balcony rail that this is a stopping point for one or more of these birds. (Earlier this morning, I turned and found myself facing a lone pigeon sitting on the rail. Gulls are bigger, but it’s no surprise when they stop on the balcony or on the rail – tourists mean snacks..) I watch the small fishing boats out in the choppy waters at the mouth of the bay. This is a popular spot for fishers.
I sip my tea, and think about love. The moment feels eternal. I’m not in any hurry, and I can’t hear the clock ticking at all. 🙂
*and a quick “thanks!” for my Traveling Partner, who definitely knows more about Christianity than I do!!
It is the dawn of a new day. Yesterday’s mistakes and stepped on boundaries are in the past. This is a completely new and different moment. I walk down the dark marsh trail, following the circle of light provided by my headlamp.
[No AI is used in writing or editing this blog. This is human content for human readers.]
I get to a pleasing stopping point. A favorite fallen log at the edge of a grassy hillside dotted with oak trees makes a decent seat. I wait, watching the eastern horizon for first light on this cloudy morning. I sit with my thoughts, reflecting on a theory my Traveling Partner shared with me recently, about a recurring theme in my artwork, “the nightmare city”. It is my rendering of a dream, a nightmare, that I have had on a recurring basis for many years. I maybe don’t remember not having this nightmare (more often than occasionally).
“The Nightmare City” 8″ x 10″ acrylic on canvas w/glow
The dream itself is simple enough. I am in a city. It seems peculiarly “hollowed out”, as if the buildings are all fake, just facades standing in neat rows. There is a background glow, but it’s hard to tell if it is lights left on, or fire, or warfare. I am walking briskly towards some point in the distance, then running breathlessly but wanting very much to stop. I usually wake before I reach that distant point, heart pounding, breathless, and frightened. Sometimes I’m in it, trapped, hurtling towards some point, when a loud blast of noise hits me with physical force, and there is a sort of popping noise and a flash of light, and so much pain. I wake, grateful to have found my way from the nightmare city, again.
The Nightmare City, some other night, different lighting.
I’ve painted the nightmare city several times. Sketched it. Painted in acrylic, with a ton of glow. Painted in watercolor, ephemeral and surreal. Painted in pastels, a city in flames and as a forlorn abandoned place that can’t harm me now. My nightmares draw me back into that strange city again and again, as if there is something unspoken that wants a voice…
Another version, “Urban Warfare”, rendered in pastels, in 2024, when old trauma and new wars collide in my dreams.
My Traveling Partner only shared his theory when I insisted I’d really like to know his thoughts. He shared his impression that it may be a remnant of “the last thing I saw” before (more specifically as) I injured my head. I don’t recall my injury with any clarity, at all. Hints of partial recollections of fragments of vague memories that generally my consciousness mind has difficulty approaching. A sense of…flight? A gasp, like a final deep breath before plunging into darkness? A distant point of perspective that rushes towards me without properly changing as the distance draws near. An explosion of light? Nothing useful. The official version, when anyone would discuss it with me at all, much later in life, was that I fell down some stairs, maybe (and now can we please talk about something else?).
“Daylight Comes to the Nightmare City”, in pastels, 2026.
My Traveling Partner finally admitted, he sees something characteristic and distinct about my nightmare city paintings; to him they can also potentially be seen as a staircase, or bannister finial, from the perspective of hurtling towards it head first. “Once I realized, I can’t unsee it,” he said. Since he shared that with me, I see it too. I touch the small triangular “divet” I feel on my forehead, and trace the cracks I feel under the skin that radiate out from there, to my hairline, and down into my right eye socket.
… And I wonder…
… Trauma is weird. I still see the city, the road leading away, and feel a strangely nauseous feeling when I contemplate walking down that peculiarly dark street as it seems to narrow towards a point. In my dreams, I never quite reach whatever waits at the other end of the road…
For no obvious reason, I hear a Sam Cooke song in my head as I sit with my thoughts, “… What a wonderful world this would be…”. I sit in the stillness of a summer morning betwixt meadow and marsh, waiting for the sun. Waiting to understand something just out of reach of any clear memories. There’s rarely much anger left over this broken brain – there are more important things to be angry about, these days. I’m okay with who I am, most of the time. I’m grateful for my Traveling Partner, for his kindness not rushing to put ideas in my head out of compassion and love, and for sharing his thoughts willingly and gently when pressed. Considering I really don’t remember my injury, having hints and insights helps me process the unknown, and even the potentially unknowable.
… I’m okay with the uncertainty; I am loved. I can begin again, as often as I need to, in order to heal and grow, and walk on. I look down the path fearlessly. I am awake, and safe, and life is pretty good. I smile, thinking soft happy thoughts about my partner, my best friend. I get to my feet, grateful, humming some tune that is stuck in my my head…
