Archives for posts with tag: art and the artist

I’m sitting quietly in the pre-dawn darkness, waiting for the sun and sipping my coffee. I was up earlier than planned, earlier than I needed to be. Early. Laying around restlessly seemed more likely than going back to sleep, so I got up quietly and dressed, made coffee for my Traveling Partner, who was (probably still is) sleeping, and slipped out of the house and down the road to this nearby trail.

Long exposure with the night settings reveals a hint of purple in sky I wouldn’t see otherwise.

This morning I am feeling aggravated over nothing. I’m not certain why I feel this way. My headache, maybe? Maybe the lingering irritation over yesterday’s attempt to relax at home and paint while I did the laundry. That didn’t go well, although I did do a bit of painting, I gave up on it rather quickly rather than deal with my headache and my partner’s irritation with me. It was just too hard to create a comfortable creative space so I said “fuck it” and put it all away, and laid down for awhile hoping to also put the headache to rest. I wasn’t successful at that either. The headache is with me still.

Tears well up as I think about it. There’s more going on here, maybe something that needs more thought and care? It would probably be helpful to have a better understanding of what is actually causing this feeling of hurt.

“Why do you do this thing that you love?” I ask myself. It’s a question worth knowing the answer to, isn’t it? I’m not what would be considered a commercially successful artist. I sell pieces now and then, but I don’t invest energy (or time, or money) in representation, or the business of art. Definitely not “why I do it”, like, at all. I paint because it’s another way to communicate things I don’t have words for. I paint because the process itself meets an emotional need, and satisfies something within me. I love to see my work hanging in my home. It’s always been “about me” – by me, for me. I’ve always been okay with that, too, though I definitely get great joy from the experience of someone else enjoying my work.

Even in my least comfortable, unhappiest relationships, my partners at the time made room for my art, and for my creative process (and the occasional mess). My boundaries and needs as an artist were respected (and even in my terrifying violent first marriage). I felt valued as an artist even when I didn’t feel valued as a human being. Maybe that’s odd? It “felt right”. The people in my life, regardless how they seemed to feel about me, personally, in a given moment, seemed to appreciate my artistic work.

… Things have been feeling different, lately. Artistically, at least at home, I often “don’t feel heard”. I sometimes have a peculiar sense that “nothing I do” (artistically) matters at all, and that the art is, itself, a nuisance or an inconvenience. As if it’s somehow just “in the way” or taking up space. It’s a very strange and very unpleasant sensation.

I breathe, exhale, and relax. I sip my coffee and wonder what there is to learn from this feeling, and this moment. I work on fitting it into the context of life, right now, with so much else going on. It’s been a while since I have been this productive as an artist, and although that is definitely meeting needs for me, what effect does that have on my Traveling Partner, I wonder? He’s certainly got his own shit to deal with right now, and any time I spend artistically is potentially time I am not spending focused on caregiving. Does he have feelings about that?

I am eagerly embracing the joy of feeling inspired by a new medium, and wanting to spend more time on painting (and savoring the feeling of satisfied inspiration), but I’m missing feeling a sense that my partner is enjoying it with me… and I don’t know why. Maybe he honestly just doesn’t care for the paintings I’m doing right now, but doesn’t want to hurt my feelings? Maybe my notion of what enjoying them looks like is a poor fit to the reality of it? Landscape paintings are probably less cognitively demanding of the viewer than abstraction, perhaps they don’t lend themselves to prolonged conversation?

… Maybe it isn’t about any of that at all…

I sit quietly with my thoughts. This isn’t going to be worked out over a single cup of coffee before the sun rises. It feels important, though. It’s a good time to remind myself that I paint to satisfy something within myself. The person who really needs to hear me is…me. Am I listening?

I have been here before. Self-reflection is a process, and a practice.

I sit thinking about the many hours over weeks, months, and even years that I have gazed thoughtfully at my paintings, hanging here or there. I’ve barely gotten started in pastel. Have I truly taken enough time with each new work, once completed, to really “get the point”? Am I feeling as if I were shouting in an empty room because I have not given the new work enough of my own time and attention? This feels relevant and real.

I’ve been painting in pastel for just 96 days. Over 96 days, I’ve painted 25 new pieces. That’s not my most intensely productive pace, but it’s damned close…am I spending enough time appreciating the work, reflecting on each new piece, and understanding what I’m going for? Maybe not. I think I’ve been tending to finish them, take some pictures, and move on to the next piece – sort of the artistic equivalent of talking without letting anyone else get a word in. The art isn’t being given enough time to really “speak to me”, I suspect – and I have to wonder if this is a bigger deal than I understood?

A new day dawning.

I sigh quietly, and wonder what to do about it. I drink my coffee pensively, looking at the hint of daybreak approaching on the eastern horizon. I shift uncomfortably, pain (arthritis, headaches) isn’t helping my mood. I breathe, exhale, and relax. I’ve got this day ahead of me. Things to do. Things to think about. I prepare to begin again.

I’m sitting quietly, waiting for the sun. It’s a Monday. It is also 10 days until my upcoming coastal getaway. I’m not really counting down the days, although I am eager to enjoy the time painting and savoring my own company. I’m here, now. This isn’t a bad place or time to be. I even got some painting done yesterday. Amusingly, one of the two pieces is a recollection of a foggy sort of misty morning at the very location I plan to stay.

I had originally planned to camp and even try a new spot, but I needed to change the dates to fit my Traveling Partner’s care needs and PT schedule, and the new timeframe has less pleasant weather in the forecast, and I’m not even actually up to the amount of manual labor solo tent camping would require – and it would be a huge struggle to paint outdoors on rainy days. With all that in mind I finally yielded to the obvious and booked a room with an ocean view. Good enough. Better than that, actually, and I am excited.

..I’m also here, now…

My getaway is coming up. I’m pretty much always ready. I’m not emotionally attached to the outcome, because it could be that my partner won’t be enough recovered to really get by adequately without my care. If that’s the case, I’ll cancel with regret, get over my moment of disappointment, and move on. Priorities.

This morning I briefly went over all that in my head, again, and moved on. Again.

My dreams the last several days have been full of war and images of the planet burning. Grim. I avoid taking them personally, or blowing them up into more than what they are – only dreams. Almost unavoidably, the images turn up in my art anyway. My dreams sometimes fuel my inspiration. Modern warfare (any warfare, really) is pretty fucking terrifying. The cost is high. The price of victory excessive in a reality where there are no real “winners”. War makes everyone a loser. Death and destruction and chaos and trauma…no good outcomes in war. The other painting I painted over the weekend comes directly from my nightmares.

Drone warfare and it’s far reaching consequences, reaching even into my art, and my dreams.

Still, painting feels good, and it helps to paint. There was nothing on fire in my dreams last night, although my sleep was restless and interrupted. It’s been pretty bad lately, actually, and I’m not certain why. Maybe physical pain? Background anxiety over distant world events I can’t control? Concern over the upcoming election? (Did you also feel it as a direct threat to your personhood when you read or heard that Trump said “women won’t have to think about abortion anymore” if he is reelected?) It’s a scary world sometimes. I’m glad painting gives me a voice for things I don’t know how to say with words.

Huh. This morning started out fairly cheerful. I find myself wondering if that was a bit forced, or whether I’ve simply managed to make a “wrong turn” somewhere along the way. I give myself time with my thoughts. I’ve got shit on my mind, clearly, and the way out is, reliably, through. I feel that aching need to be heard. To be “visible”. To be understood and validated. Tears well up and spill over. I miss my Dear Friend who died shortly before Spring. There are very few people I feel emotionally safe unburdening myself to, specifically regarding war and trauma and misogyny, and the lingering wounds of ancient personal horrors that follow me still. She was one. Gone now. My Traveling Partner has long been another (but for now I’m in the role of caregiver and must be sparing and deeply considerate about burdening him while he heals). I guess practical wisdom suggests I make an appointment with my damned therapist. That’d be pretty grown up of me.

For now, I breathe, exhale, and relax – and let the tears fall. It’ll pass. That’s predictable and reliable, and there is no shame in honest tears, and there’s rather a lot going on in the world worth crying over.

I look to the sky for any hint of daybreak. Soon. I’ll get a lovely walk in, along a favorite trail, then head home to begin an ordinary enough Monday. My tears will dry, and I’ll begin again.

I have some quiet time in the middle of this lovely Saturday. It’s pleasant. The day looks likely to be a hot one, and there’s the air show… Any time now, the background experience will become so so noisy. I’m not looking forward to it. My Traveling Partner sleeps, for now. That won’t last. I sigh quietly. There’s pleasant music playing quietly in the background. Quite a lovely moment for reflection.

I think over the tasks on my list of things to get done this weekend, all of it on top of the everyday effort to be the person I most want to be, moment-by-moment. That’s sometimes like a whole extra job. LOL I give myself a moment to acknowledge that although it sometimes feels as if it’s truly an uphill climb to make progress some days, progress does get made. It’s a journey, and the journey itself is the destination. It’s about being, and it’s about becoming. There is always more to do. There is effort involved, and practice, and my results vary. I’m very human.

I breathe, exhale, and relax. This is a pleasant morning. I’ve finished most of the basic household stuff I’d planned to do. I’ve done the trip to the store, and figured out what to do, later, about dinner. Now I’ve got some time for me. Paint? Nap? I don’t know. This headache may make the decision for me, and I’ll be honest that I resent the fuck out of that. lol

…Still…perhaps it will be easier to begin again on the other side of this stupid headache, anyway…

My choice of trail this morning is a bit crowded. Summer mornings often find me sharing the trail, even at this early hour. I can already feel that it’s going to be a hot day, too. Things cooled off during the night quite a lot, but it was warmer when I stepped out of the house than it has been, by several degrees. I’ve a few things I’d like to get done while it’s cooler, before the heat of the day settles in.

A new day.

I finally got started on my soft pastel adventure yesterday afternoon. A change of preferred artistic media is… complicated (at least for me). I’ve been a painter in acrylic for decades. It feels comfortable and natural to me. Pastels are new, novel, and unexplored previously. I’ve got my pastels ready, and for me the next step is study. This is much easier than it was back when I began with acrylic, or even further back in time, to my watercolor origins. Now I can easily queue up some YouTube videos of artists working in pastels and just watch them work. I sometimes find that even a very artistically “fluent” artist may not really understand what they are doing as they do it, and the discussion is a distraction. I finally turned the sound off and just watched various artists (whose end result spoke to me), while I listened to music. I greatly value watching an artist work in their chosen medium.

… I learned a lot through observation…

This morning the world “looks different” as I walk along the trail between river and marsh. There’s a mist clinging to the ground in the low land at the water’s edge, and the early morning sunshine is dazzling, illuminating leaves and stalks of meadow grass. I look at my surroundings in the context of painting the scene using pastels instead of acrylic. My perception and understanding of what I see is altered. I walk, eyes open with wonder and curiosity. “How would I capture that?” Is an unspoken question, repeated frequently.

… I keep walking…

The sun rises higher. The light becomes brighter, bolder, harsher. Shadows shift. Colors change. I walk and watch.

Voices approaching from behind me startle me from my reverie. I pause and let a small group of photographers walk past. I stop where I am to write and reflect, finding myself eager to “get on with things” in order to knock out my list of crap that needs doing, so I can get back to my studies and subsequently take advantage of this wellspring of inspiration welling up from within me. I’m eager to give the new pastels a proper exploration and see where they take me creatively.

More voices. More people. The trail is too crowded for a creature such as I. lol I stand up and prepare to head back to the car to begin again.

I’m relaxing after my walk, wondering if it may continue to rain today. It looks like it might. I’m thinking about the weekend, mostly quite a nice one, spent in the good company of my Traveling Partner. Father’s Day was Sunday, and I even managed to surprise him with a gift (that he also liked).

The weekend was interesting in another way. Chosen changes. Change is, and no amount of running from it (or insisting on standing still) will change that. Sometimes what makes the most sense is to choose change. It’s a useful way of guiding my journey in life.

Here’s an example; I am frankly pretty “over” my current smartphone. It’s an older one, still quite functional but becoming irritatingly “uncooperative” and vexing with each new update by my carrier or the manufacturer. (I get tired of having to go back and turn off a bunch of bullshit and bloatware every time there’s an update, too.) My Traveling Partner pointed out I’m perhaps overdue to move on to a newer (and not carrier-locked) device.

My current smartphone is “only” 5 years old… but that’s also pre-pandemic, 4 employers, and two addresses ago. lol In terms of technology, that’s a long time. We shopped together, talked about the options, and I picked out a replacement. It’ll arrive in a few days and then I can “move out” of this phone that is vexing me so often and move on to being vexed differently with a new one. lol I’m grateful to have my Traveling Partner’s expertise and help with this one; it’s the sort of change that really fucks with me in a multitude of little ways.

Another example of choosing change with self-care and personal growth in mind? Artistically I have been feeling a bit stalled and struggling to “find my voice” after losing my Dear Friend this year. I didn’t have an understanding of how grief would affect me creatively (this time), nor did I anticipate the ways my Traveling Partner’s injury might affect my comfort with being “distracted by” the desire to paint. I find myself unable to begin new work, too aware that he may need my help any time (acrylic paint dries quickly and I tend to “work wet”). Unable to finish old work, because it brings to mind interrupted conversations with my Dear Friend that now can never be resumed.

I just can’t get going “as things are”… and the more I thought about it, the more significant the medium I tend to favor seemed to be. I’ve worked primarily in acrylics for about 20 years. What if I could work slower… oil paints? No, too slow. Watercolor?Maybe…but… too wet? What if I could work slower without “working wet” at all…? Something I could easily step away from and come back to… I found myself also considering size. I generally work with canvases that are large-ish… not huge, but often “over mantelpiece” or “behind the couch” sizes… I had begun to work much smaller in recent years (a combination of convenience and physical limitations). I never replaced my big easel when it finally failed me. I rarely used it anymore. Large work on paper never suited me…but I started as a watercolor artist, working on paper, as a teenager. Is it time to scale back and return to older ways? I feel hungry for something new.

Continuing to reflect on what I’ve been doing artistically, what has inspired me recently, and what is most physically comfortable at this stage in my life, I found myself considering a big change… a change of medium. (That’s a bigger deal than I know how to communicate, and will come with a potentially very steep learning curve.) Pastels. That’s the “big reveal”, I’m planning to try pastels, and may return to working exclusively on paper (less storage space needed for completed work, too). It’s an exciting thing to contemplate.

I find myself in an interestingly “in between moment”, standing poised between who I’ve been and who I may become, at least artistically. It’s less a crossroad in life than a sharp bend in the path in front of me, beyond which I can’t at all see what is ahead. I’m okay with the uncertainty and the unknowns. I’m excited and eager to move forward, to move on, and to grow with new experiences and new knowledge. This change, particularly, percolates through my consciousness in an interesting way. I think of a snake shedding her skin. It’s a good metaphor for choosing change and the growth that can come of it.

…Pastels…? I would be more easily able to do plein air work when I go camping… less to carry, more compact, easier to clean up… I  sit with my thoughts awhile… The future is filled with potential.

I think about all the various artistic mediums I’ve tried, all the techniques, and the tools… I think about what worked for me, and why, and where I was in life for each of those things… I think, too, about practices more generally, and what has worked, and how much it has mattered to simply “try things out” to learn what really does work best for me. It’s an interesting journey.

There are new steps to take, and new skills to learn. There are new practices to practice, and old chaos to tidy up. There is old baggage to set aside, and old pain to heal. It’s a journey. A process. Incremental change over time doesn’t have to be all happenstance and wandering; I can choose change. I can choose my path, and choose my opportunity. I  can choose to begin again.

…It’s time…

…I wonder where this path leads…?