Archives for posts with tag: art and the artist

Yesterday was a good day end-to-end. I sip my coffee thinking about it, and waiting for the sun. Daylight Savings Time ended in the wee hours this morning, and dawn will seem to come an hour earlier. There’s no “real change” to when the sun will rise, only to where we human beings place the occurrence on our clocks. I sit with that thought awhile. Time is interesting to contemplate.

I spent a couple pleasant hours at my easel yesterday, painting. Well, more accurately, I was painting at the dining table, and the piece of Pastelbord I was painting on at any given moment was taped to the table to prevent it sliding around. I no longer have an easel, and if I still had my enormous floor-standing easel I wouldn’t be using that, it was far too big for the small work I presently feel inclined to do. lol Having a tabletop easel might be nice, though; pastels are dry, but still manage to be quite messy, as little drifts of colorful dust settle here and there. An easel would tend to keep the work itself cleaner, requiring fewer pauses to carefully blow off the loose pastel.

Colorful flowers, insignificant and delightful.

I think about having a French easel, too, for working en plein air (an unnecessarily fancy way of saying “outside”). I shop for something of that sort, again and again, trying to find a combination of characteristics I like, and that properly suit my painting style. It’s proving to be surprisingly difficult. I sometimes wonder how much what I just don’t yet know about what I actually need may hold me back from recognizing what may realistically suit me in practical terms. We don’t know what we don’t know, and every “what if” scenario is incomplete because of that. I sit thinking about that for awhile.

Some autumn sunrise from a favorite view.

I sit contentedly reflecting on the paintings I painted yesterday. Each pleases me in some way. Each has some detail I’m more critical of. It’s funny that I’m simultaneously quite delighted with them, while also seeing them through critical eyes. I smile at the flowers, while thinking “ah, but if I had done this other thing, wouldn’t it be better?”, but I don’t really know that it would be better – only different. Thinking about decisions in life is much the same; we can consider how we might have done differently, but we can’t know what that other outcome might truly have been.

“What if…” is like any other sort of wishful thinking or daydreaming; we can’t really know, we can only wonder.

I watch the horizon for daybreak. Soon. I sip my coffee. It’s a chilly morning and the warmth of the hot coffee cup in my hands feels good. I think about how good a hot shower will feel after my walk, and smile with some satisfaction that the dishes are already done and won’t be waiting for me. Such a mundane detail to give me so much pleasure. It’s funny (to me) what sorts of utterly practical things can provide so much contentment and joy.

I think about my Traveling Partner, sleeping at home. He continues to make progress with his recovery, and it’s really beginning to show. That’s an immense weight off my heart, I admit; I’ve felt so helpless and worried. Caregiving is a lot of work, but beyond that, I really want my beloved to live (and enjoy) his best life!

Day breaks on another rainy gray autumn morning. The trail is visible as the sky lightens. There’s a mist clinging to the ground and the scent of the marsh is in the air. Everything seems quite still and quiet. Later, there will be time for painting between loads of laundry, and happy hours hanging out over coffee with my Traveling Partner, talking and sharing life. For now, it’s time to put on my boots and get out on the trail, and begin again.

I’m sitting quietly in the pre-dawn darkness, waiting for the sun and sipping my coffee. I was up earlier than planned, earlier than I needed to be. Early. Laying around restlessly seemed more likely than going back to sleep, so I got up quietly and dressed, made coffee for my Traveling Partner, who was (probably still is) sleeping, and slipped out of the house and down the road to this nearby trail.

Long exposure with the night settings reveals a hint of purple in sky I wouldn’t see otherwise.

This morning I am feeling aggravated over nothing. I’m not certain why I feel this way. My headache, maybe? Maybe the lingering irritation over yesterday’s attempt to relax at home and paint while I did the laundry. That didn’t go well, although I did do a bit of painting, I gave up on it rather quickly rather than deal with my headache and my partner’s irritation with me. It was just too hard to create a comfortable creative space so I said “fuck it” and put it all away, and laid down for awhile hoping to also put the headache to rest. I wasn’t successful at that either. The headache is with me still.

Tears well up as I think about it. There’s more going on here, maybe something that needs more thought and care? It would probably be helpful to have a better understanding of what is actually causing this feeling of hurt.

“Why do you do this thing that you love?” I ask myself. It’s a question worth knowing the answer to, isn’t it? I’m not what would be considered a commercially successful artist. I sell pieces now and then, but I don’t invest energy (or time, or money) in representation, or the business of art. Definitely not “why I do it”, like, at all. I paint because it’s another way to communicate things I don’t have words for. I paint because the process itself meets an emotional need, and satisfies something within me. I love to see my work hanging in my home. It’s always been “about me” – by me, for me. I’ve always been okay with that, too, though I definitely get great joy from the experience of someone else enjoying my work.

Even in my least comfortable, unhappiest relationships, my partners at the time made room for my art, and for my creative process (and the occasional mess). My boundaries and needs as an artist were respected (and even in my terrifying violent first marriage). I felt valued as an artist even when I didn’t feel valued as a human being. Maybe that’s odd? It “felt right”. The people in my life, regardless how they seemed to feel about me, personally, in a given moment, seemed to appreciate my artistic work.

… Things have been feeling different, lately. Artistically, at least at home, I often “don’t feel heard”. I sometimes have a peculiar sense that “nothing I do” (artistically) matters at all, and that the art is, itself, a nuisance or an inconvenience. As if it’s somehow just “in the way” or taking up space. It’s a very strange and very unpleasant sensation.

I breathe, exhale, and relax. I sip my coffee and wonder what there is to learn from this feeling, and this moment. I work on fitting it into the context of life, right now, with so much else going on. It’s been a while since I have been this productive as an artist, and although that is definitely meeting needs for me, what effect does that have on my Traveling Partner, I wonder? He’s certainly got his own shit to deal with right now, and any time I spend artistically is potentially time I am not spending focused on caregiving. Does he have feelings about that?

I am eagerly embracing the joy of feeling inspired by a new medium, and wanting to spend more time on painting (and savoring the feeling of satisfied inspiration), but I’m missing feeling a sense that my partner is enjoying it with me… and I don’t know why. Maybe he honestly just doesn’t care for the paintings I’m doing right now, but doesn’t want to hurt my feelings? Maybe my notion of what enjoying them looks like is a poor fit to the reality of it? Landscape paintings are probably less cognitively demanding of the viewer than abstraction, perhaps they don’t lend themselves to prolonged conversation?

… Maybe it isn’t about any of that at all…

I sit quietly with my thoughts. This isn’t going to be worked out over a single cup of coffee before the sun rises. It feels important, though. It’s a good time to remind myself that I paint to satisfy something within myself. The person who really needs to hear me is…me. Am I listening?

I have been here before. Self-reflection is a process, and a practice.

I sit thinking about the many hours over weeks, months, and even years that I have gazed thoughtfully at my paintings, hanging here or there. I’ve barely gotten started in pastel. Have I truly taken enough time with each new work, once completed, to really “get the point”? Am I feeling as if I were shouting in an empty room because I have not given the new work enough of my own time and attention? This feels relevant and real.

I’ve been painting in pastel for just 96 days. Over 96 days, I’ve painted 25 new pieces. That’s not my most intensely productive pace, but it’s damned close…am I spending enough time appreciating the work, reflecting on each new piece, and understanding what I’m going for? Maybe not. I think I’ve been tending to finish them, take some pictures, and move on to the next piece – sort of the artistic equivalent of talking without letting anyone else get a word in. The art isn’t being given enough time to really “speak to me”, I suspect – and I have to wonder if this is a bigger deal than I understood?

A new day dawning.

I sigh quietly, and wonder what to do about it. I drink my coffee pensively, looking at the hint of daybreak approaching on the eastern horizon. I shift uncomfortably, pain (arthritis, headaches) isn’t helping my mood. I breathe, exhale, and relax. I’ve got this day ahead of me. Things to do. Things to think about. I prepare to begin again.

I’m sitting quietly, waiting for the sun. It’s a Monday. It is also 10 days until my upcoming coastal getaway. I’m not really counting down the days, although I am eager to enjoy the time painting and savoring my own company. I’m here, now. This isn’t a bad place or time to be. I even got some painting done yesterday. Amusingly, one of the two pieces is a recollection of a foggy sort of misty morning at the very location I plan to stay.

I had originally planned to camp and even try a new spot, but I needed to change the dates to fit my Traveling Partner’s care needs and PT schedule, and the new timeframe has less pleasant weather in the forecast, and I’m not even actually up to the amount of manual labor solo tent camping would require – and it would be a huge struggle to paint outdoors on rainy days. With all that in mind I finally yielded to the obvious and booked a room with an ocean view. Good enough. Better than that, actually, and I am excited.

..I’m also here, now…

My getaway is coming up. I’m pretty much always ready. I’m not emotionally attached to the outcome, because it could be that my partner won’t be enough recovered to really get by adequately without my care. If that’s the case, I’ll cancel with regret, get over my moment of disappointment, and move on. Priorities.

This morning I briefly went over all that in my head, again, and moved on. Again.

My dreams the last several days have been full of war and images of the planet burning. Grim. I avoid taking them personally, or blowing them up into more than what they are – only dreams. Almost unavoidably, the images turn up in my art anyway. My dreams sometimes fuel my inspiration. Modern warfare (any warfare, really) is pretty fucking terrifying. The cost is high. The price of victory excessive in a reality where there are no real “winners”. War makes everyone a loser. Death and destruction and chaos and trauma…no good outcomes in war. The other painting I painted over the weekend comes directly from my nightmares.

Drone warfare and it’s far reaching consequences, reaching even into my art, and my dreams.

Still, painting feels good, and it helps to paint. There was nothing on fire in my dreams last night, although my sleep was restless and interrupted. It’s been pretty bad lately, actually, and I’m not certain why. Maybe physical pain? Background anxiety over distant world events I can’t control? Concern over the upcoming election? (Did you also feel it as a direct threat to your personhood when you read or heard that Trump said “women won’t have to think about abortion anymore” if he is reelected?) It’s a scary world sometimes. I’m glad painting gives me a voice for things I don’t know how to say with words.

Huh. This morning started out fairly cheerful. I find myself wondering if that was a bit forced, or whether I’ve simply managed to make a “wrong turn” somewhere along the way. I give myself time with my thoughts. I’ve got shit on my mind, clearly, and the way out is, reliably, through. I feel that aching need to be heard. To be “visible”. To be understood and validated. Tears well up and spill over. I miss my Dear Friend who died shortly before Spring. There are very few people I feel emotionally safe unburdening myself to, specifically regarding war and trauma and misogyny, and the lingering wounds of ancient personal horrors that follow me still. She was one. Gone now. My Traveling Partner has long been another (but for now I’m in the role of caregiver and must be sparing and deeply considerate about burdening him while he heals). I guess practical wisdom suggests I make an appointment with my damned therapist. That’d be pretty grown up of me.

For now, I breathe, exhale, and relax – and let the tears fall. It’ll pass. That’s predictable and reliable, and there is no shame in honest tears, and there’s rather a lot going on in the world worth crying over.

I look to the sky for any hint of daybreak. Soon. I’ll get a lovely walk in, along a favorite trail, then head home to begin an ordinary enough Monday. My tears will dry, and I’ll begin again.

I have some quiet time in the middle of this lovely Saturday. It’s pleasant. The day looks likely to be a hot one, and there’s the air show… Any time now, the background experience will become so so noisy. I’m not looking forward to it. My Traveling Partner sleeps, for now. That won’t last. I sigh quietly. There’s pleasant music playing quietly in the background. Quite a lovely moment for reflection.

I think over the tasks on my list of things to get done this weekend, all of it on top of the everyday effort to be the person I most want to be, moment-by-moment. That’s sometimes like a whole extra job. LOL I give myself a moment to acknowledge that although it sometimes feels as if it’s truly an uphill climb to make progress some days, progress does get made. It’s a journey, and the journey itself is the destination. It’s about being, and it’s about becoming. There is always more to do. There is effort involved, and practice, and my results vary. I’m very human.

I breathe, exhale, and relax. This is a pleasant morning. I’ve finished most of the basic household stuff I’d planned to do. I’ve done the trip to the store, and figured out what to do, later, about dinner. Now I’ve got some time for me. Paint? Nap? I don’t know. This headache may make the decision for me, and I’ll be honest that I resent the fuck out of that. lol

…Still…perhaps it will be easier to begin again on the other side of this stupid headache, anyway…

My choice of trail this morning is a bit crowded. Summer mornings often find me sharing the trail, even at this early hour. I can already feel that it’s going to be a hot day, too. Things cooled off during the night quite a lot, but it was warmer when I stepped out of the house than it has been, by several degrees. I’ve a few things I’d like to get done while it’s cooler, before the heat of the day settles in.

A new day.

I finally got started on my soft pastel adventure yesterday afternoon. A change of preferred artistic media is… complicated (at least for me). I’ve been a painter in acrylic for decades. It feels comfortable and natural to me. Pastels are new, novel, and unexplored previously. I’ve got my pastels ready, and for me the next step is study. This is much easier than it was back when I began with acrylic, or even further back in time, to my watercolor origins. Now I can easily queue up some YouTube videos of artists working in pastels and just watch them work. I sometimes find that even a very artistically “fluent” artist may not really understand what they are doing as they do it, and the discussion is a distraction. I finally turned the sound off and just watched various artists (whose end result spoke to me), while I listened to music. I greatly value watching an artist work in their chosen medium.

… I learned a lot through observation…

This morning the world “looks different” as I walk along the trail between river and marsh. There’s a mist clinging to the ground in the low land at the water’s edge, and the early morning sunshine is dazzling, illuminating leaves and stalks of meadow grass. I look at my surroundings in the context of painting the scene using pastels instead of acrylic. My perception and understanding of what I see is altered. I walk, eyes open with wonder and curiosity. “How would I capture that?” Is an unspoken question, repeated frequently.

… I keep walking…

The sun rises higher. The light becomes brighter, bolder, harsher. Shadows shift. Colors change. I walk and watch.

Voices approaching from behind me startle me from my reverie. I pause and let a small group of photographers walk past. I stop where I am to write and reflect, finding myself eager to “get on with things” in order to knock out my list of crap that needs doing, so I can get back to my studies and subsequently take advantage of this wellspring of inspiration welling up from within me. I’m eager to give the new pastels a proper exploration and see where they take me creatively.

More voices. More people. The trail is too crowded for a creature such as I. lol I stand up and prepare to head back to the car to begin again.