I’m sipping my coffee thinking about a strange dream from which I woke this morning, groggy and unprepared for a new day. (I really don’t like the change to DST at all; I’ll be groggy in the morning for days to come.) In this dream, I’d somehow made my way into the basement of a large modern museum, and from wainscot to rafters that space was hung with my art – but only that difficult-to-access basement space. lol Large work, small work, framed, unframed – crammed along the walls, a chaos of color, mostly unsigned. I recognized all of it – even the pieces I haven’t yet painted – and I could examine each one clearly, and recall when (and why) it was painted. I walked through the space, eyes wide with wonder to see it all – so much! There were other things to this dream, a shared living space elsewhere, other artists (with whom I am not yet acquainted), friends (some of whom had slyly snatched a favorite piece from the walls of that place to take along for their own personal joy). What had my attention was the art – so much of it! The pieces I hadn’t yet painted drew my attention most often, and most clearly. I examined them closely, hoping to understand the journey ahead of me more clearly… “When will I paint that?” I wondered as I walked.

Waking up was a bit disappointing; I wasn’t finished looking yet, and had just gotten into a deep discussion with an old friend about a particular piece he was making his own. I wanted to tell him all I knew about it, but he stopped me. “I want to keep the mystery of it,” he said smiling, “I want to love the work in spite of anything to do with the artist”. When I woke, the thought that lingered was “how much of an artist’s signature is simply ego, nothing at all to do with the work? What might the signature take away from the work?” A lot of my work happens to be unsigned, not for any lack of intention to sign it but only because it’s generally the thing I do last – after the piece is entirely finished, the paint dried, and the work ready to sell or to hang, and because I’ve more or less lost interest in continuing to work on it at that point… I forget to sign it, until it’s necessary because the piece has sold. lol Now I’m wondering if there may be value in not ever signing some pieces, at all, and leaving that mystery intact? I sign quietly to myself, and a bit cynically; if I took that approach, sooner or later someone else would likely claim some particularly good or interesting piece as their work… and my ego rebels. There’s something here to think about… maybe later.

I sip my coffee quietly. This morning it feels… medicinal. I’m so damned groggy. Head still foggy from my dreams, feeling not quite awake, yet, though it’s been nearly two hours since I woke. Everything seems to take longer, and feels somehow less “fluid”, less routine, and taking more than usual concentration and effort. Putting words together feels a bit cumbersome and awkward. My morning oatmeal is an exercise in will; it is 100% quite disgusting this morning, and I wonder why I bother. Nothing “sounds good”, and I am noise-sensitive, and a bit cranky – I’d rather be painting. lol I have in mind a particular piece I saw in my dream… my fingers itch to put it to canvas or paper, to see it come alive in front of my eyes. (Was I actually using the heads of thumb-tacks in that composition – or were those sequins? Where did I get so much gold dust??) I chuckle softly; now is not that time. Even as the thought crosses my mind, I recognize that trying to create that piece today would only be a dim copy; it is not of this moment. I don’t work in that style or with those materials, these days. I breathe, exhale, and relax, and let the dream fade away as I sip my coffee. This coffee is so good this morning, and I am grateful to have it.

I look at my reflection in the window, a mirror in the predawn darkness. I look tired. (I feel tired.) I watch myself stretch, and gently rub the frown lines from my forehead. This too will pass, I remind myself. It’s already time to begin again, anyway…