Archives for category: art and the artist

Or, more specifically, in it. It was the “joyful noise” that distracted me from what I was doing, which was a less than ideally productive bit of messing about with a painting I already knew had “failed” – so I was working and overworking it, trying to find something in it worth keeping. I did not. The noise down on the beach wafted up at regular intervals. Cheering. Clapping. A crowd of merry-makers. It is, after all, a beach, and it is the end of summer.

[No AI is used in writing or editing this blog. This is human content for human readers.]

My back was aching, anyway. I stood and stretched to take a break and step out onto the balcony to see the source of the noise. A dense gathering of people, on day I might not expect so large a crowd unless for a planned event (like the kite flying event going on further up the beach this weekend). I watch and listen. I can’t make out the words, other than an occasional call for “the next” to come into the water. There the crowd, on the edge of the water. The bay is very shallow and it is low tide (just 12 minutes ago). There is a man separated from the crowd, further out, where the (very) shallow bay reaches waist deep on an average-sized man, which this one appears to be. He raises his arms to the sky, calls to the next person, they come to him in the water – and he dunks them in. The crowd goes wild with cheers, clapping, and calls of “hallelujah!”. Full immersion baptism is still a thing in some Christian denominations. (I can’t say I really “understand”, but understanding is not what religions are about.)

…I rather question doing that sort of thing in the muddy water of Siletz Bay, but it isn’t my religion, and I really just don’t have a horse in that race…

I stand on the balcony watching for a little while. I find myself wondering why the many followers of the god of Abraham, Isaac, and Moses Jacob* don’t all recognize each other on the path? Why are they at odds, ever? The ink on a set of holy documents is barely dry before older sects decry the false gods and heresies of a religion that just seems like more of the same to me, with my outsider’s perspective. Fighting like poorly behaved siblings, and very much in need of a nap. Real community develops around shared ideas (and suspicions), but it is a shame so much damage is done in the world over religion(s).

A September morning at Siletz Bay, and no hint that a sunny afternoon is ahead.

I take a breath of the clean sea air. The afternoon is warm after a chilly, overcast, misty morning. When did that change occur, I find myself wondering. I had been “distracted” from watching the clouds and the changing tide, focused on a small 5″ x 7″ piece of carefully prepared board, on which I had been utterly failing to achieve anything that could actually be called “art’. The colors came out muddy and imprecise, and the lack of precision wasn’t the serendipitous sort I often count on, it was more the failed chaos of the lack of clarity of mind that sometimes comes “as a side” with inspiration (for me). Too many ideas, and I failed to select the focal point of the work with sufficient care. The piece doesn’t know what it wants to be, at all, and our dialogue fails to reach an understanding between thought and execution.

Afternoon sunshine, ripples on water.

…The warm afternoon sunshine cares nothing about such things. I make a cup of tea and take it out onto the balcony, to listen to the waves as the tide turns…

I briefly consider taking pictures of the baptism ceremony happening on the beach below me, and decide against it. Isn’t part of what’s gone wrong in the world the loss of privacy from too many of our personal moments being photographed by (or for) strangers and unseen cameras? Turning our lived moments into “content” for the broader consumption of others is a little weird, is it not? Were I participating in such a moving personal moment as my baptism into a religion, I would certainly not want to discover later that it was published somewhere, in an article I had no opportunity to see or consider, putting me on display for anyone at any moment. Nope. I would not care for that at all. So… I put my camera down, and sipped my tea instead.

A recent sunrise near home. A moment of lived experience that will never be repeated quite as it was.

We make moments. We make art. These are very human things. Lived experience. You know what “AI” doesn’t have? Any of that. No comprehension. No emotion. No pleasure in a moment of lived experience. No context. No compersion. No joy. No ability to grow wisdom through failure – because there is no understanding. I watch the sun beginning the slow summer journey from afternoon to eventual nightfall. It’ll come when it comes. Watching a sunset on a warm summer afternoon is also a very human experience. However many times you might get an AI to describe a sunset, it has never seen one. You may not like everything about every group of people, but do you really want to abdicate human decision-making about human lives to some thoughtless algorithm that doesn’t understand the consequences of its decisions and can’t comprehend the outcome? That can’t ever understand the emotional and real-world cost of taking human lives? I sip my tea and think my thoughts as I watch the human beings on the beach doing human things. Living their lives.

An unexpected visitor.

Gulls sail past on eddies of air currents invisible to me. They watch me sitting on the balcony, expectantly. Will I, perhaps, bring something tasty out onto the balcony and carelessly look away? They are practiced at this. I can see from the spatterings of bird poop on the balcony rail that this is a stopping point for one or more of these birds. (Earlier this morning, I turned and found myself facing a lone pigeon sitting on the rail. Gulls are bigger, but it’s no surprise when they stop on the balcony or on the rail – tourists mean snacks..) I watch the small fishing boats out in the choppy waters at the mouth of the bay. This is a popular spot for fishers.

I sip my tea, and think about love. The moment feels eternal. I’m not in any hurry, and I can’t hear the clock ticking at all. 🙂

*and a quick “thanks!” for my Traveling Partner, who definitely knows more about Christianity than I do!!

It’s a foggy morning. On the other side of a short list of errands, I’ll head to the coast for a few days for some solitary time, painting. I’m eager, but not anxious. There’s no hurry. I planned with care and stayed mindful of my current capabilities and limitations when I did so.

[No AI is used in writing or editing this blog. This is human content for human readers.]

I’m sitting at a favorite trailhead, waiting for the gate to open. A short walk will be enough this morning. I want to leave myself enough energy at the other end of the day to easily enjoy hanging out with the ghosts of Claude (Monet), Vincent (Van Gogh), and Peter (Max). I’ve already got my pastels packed up, ready to load into the car.

… Definitely eager…

When the time came to end the work week and pull my head out of the spreadsheets and tool portals, yesterday, I found it difficult. I’m definitely for sure over that, already! My thoughts now are of colors, hues, shades, tones, and the challenges of bringing light into pigment, and giving life to an image on paper. I am expanding into the sense of self that feels the most me. It’s comfortable and familiar, and natural; there’s no need to mask anything or operate from some pretense of whatever is defined as properly professional this year, for this or that industry. It may take hours to really sink in, that the next three days are wholly about where inspiration might take me. This is my time.

I breathe, exhale, relax. Some things don’t change. Some practices have value no matter what may be on the calendar. Meditation. Writing in the morning. Enjoying a pleasant walk. We become what we practice. Taking myself to some other physical place to paint doesn’t change what I need to do to care for myself, manage symptoms, and preserve my emotional resilience. I reflect on the successes and failures of various practices over the years. They don’t all work out, and there’s been some trial and error to “finding my way”.

… Shit… I already miss my Traveling Partner and I’m not even gone yet! 😆 Well, I knew that would be a thing. I adore him. We’re deeply connected. Our lives are intertwined. I feel obvious “separation anxiety” when we’re apart – but there is value in the reminder not to take love for granted. We get the benefit of perspective from a chance to miss each other, and reconnect more deeply when we reunite.

So much of life is about love and loving.

At the halfway point of my walk, I sit with my thoughts of my beloved, sleeping at home. I could have set things up to take off for the coast at first light. I didn’t set up my plan that way specifically to run these couple of errands and take the time to hold each other a moment before I go, and do some little things to make him more comfortable and less inconvenienced by my absence. This doesn’t just feel like the right thing to do for him, it meets needs of my own, to support my partner. Without these courtesies, I’d be distracted the whole time I’m away, wondering about his experience, instead of living mine.

… I think about that for a little while…

Daybreak comes. The fog muffles the sound of traffic on the highway adjacent to this nature preserve. The darkness lifts slowly, revealing more fog, and the dark silhouettes of the grand oaks on this hillside. It seems a good setting for self-reflection and meditation. Inspiring. Lately I have been feeling so deeply inspired to paint, it spills over into other things. I’m looking forward to giving in to it for a couple days.

Daybreak comes.

I hear voices, approaching from up the trail. When they come into view, I wave and call out a good morning greeting, to avoid startling two photographers, approaching preoccupied with their conversation and their gear. They return my greeting and walk on past, towards the photographer’s blind out on the marsh. It’s a good time of year for it; migratory birds are passing through, and the weather hasn’t turned shitty yet.

I sigh to myself and bring my thoughts back to my own experience. Here. Now. Nice moment to be. I sit with my thoughts a short while longer, finding it a luxury to do so. I consider my pain, and pain management. Look over my shopping list one more time, before admitting to myself that it’s probably time to begin again. I smile like I know a secret, as I get to my feet, stretching.

… Travel tissues! I add them to my list and get going.

This world we live in – we created it. Together, all of us. It’s a strange thought, isn’t it? Every choice, every action, every mistake, every great new idea; it is through us that we make our world. Choose wisely, eh?

[No AI is used in writing or editing this blog. This is human content for human readers.]

This morning I read that Peter Max had died. Monday it was. There’s a little less color in this world with his passing, but realistically, the colors he juxtaposed on canvas (or on envelopes), were not enough to render the world as beautiful as he saw it. I wipe away a single tear with a sad smile and think of Van Gogh for no particular reason.

…I offer them both a silent salute, raising my water bottle to the starry night sky, before I head down the trail…

I rub my hands together a bit for warmth as I reach my halfway point and take a seat for a moment or two. I think of Monet’s failing eyesight, and feel the pain in my thumbs. He kept painting. No doubt I will too, for as long as I’m able.

I sigh to myself feeling the threads connecting my work to theirs. These are more pleasant thoughts, generally, than contemplating the mess humanity has made of the world. Artists and makers know, perhaps more than most people, we are creating this world we live in, all of us, together. So, what are we choosing to make? Is this really what we want? Can’t we do better, relatively easily? I think about that awhile, watching Orion slowly rise in the eastern sky. He’ll vanish from view when daybreak comes.

What exactly are you doing to make the world a better place? I mean the easy stuff, close to home, like treating your partner and family well, and being helpful to a friend, a neighbor, a stranger of another ethnicity. I mean the somewhat harder stuff, too, like speaking truth to power, like standing firm on explicitly calling genocide “genocide”, even if doing so seems to be at odds with national pride or political interests. I mean the obvious stuff, like picking up trash, and keeping things tidy, too. It all counts. It adds up. We could do more, and better.

I think about the weekend ahead. My beloved Traveling Partner programmed the marine traffic radio frequencies into my radio, so I can try listening to the shipping traffic while I’m on the coast. I grin to myself, feeling very loved.

I breathe, exhale, and relax. I meditate on gratitude and wonder. I reflect on painting inspiration as yet unfulfilled. I reflect on love and prematurely experience a pang of wistful loss and absence – I will miss my Traveling Partner (I always do). He is my beloved, my muse – why not just paint at home? Why not bring him along? It’s honestly this; I need some solitary time to thrive, and more than that, my passion for my partner is both deeply inspiring, and also an incredible distraction. 😆 When he is near, I will reliably choose his company over most other things, however needful, urgent, or pleasant, those things might be. (It’s admittedly not ideally emotionally healthy, and I am frankly unconcerned.) Since I need to paint and write to be emotionally and mentally well, this sets up a bit of a self-care conflict, internally, so vacations and getaways with my partner are quite a separate thing. This has worked for us. Your results may vary.

I breathe in the autumn scented air. I watch a brightly lit farm machine moving back and forth among the vineyard rows, a way off. Earlier a heavily loaded, slow, quite long freight truck pulled through, on the narrow agricultural access road that cuts through the vineyard. It’s bright colorful lights made a merry display as it bounced slowly along. There’s a hint of sweetness in the air… grapes? Am I imagining the scent?

It’s a lovely beginning to a new day. I slept well. I hope my beloved did too. I think about dinner later – leftover enchiladas. It’s not fancy but the company and conversation will be excellent. My partner is working on a new (work) project. I hope he has a fantastic day working on it. I’m eager for him to tell me more, over dinner.

We live in the world we’ve made. Let’s make it a good one, for everyone. We can begin again. We can do better.

It is the dawn of a new day. Yesterday’s mistakes and stepped on boundaries are in the past. This is a completely new and different moment. I walk down the dark marsh trail, following the circle of light provided by my headlamp.

[No AI is used in writing or editing this blog. This is human content for human readers.]

I get to a pleasing stopping point. A favorite fallen log at the edge of a grassy hillside dotted with oak trees makes a decent seat. I wait, watching the eastern horizon for first light on this cloudy morning. I sit with my thoughts, reflecting on a theory my Traveling Partner shared with me recently, about a recurring theme in my artwork, “the nightmare city”. It is my rendering of a dream, a nightmare, that I have had on a recurring basis for many years. I maybe don’t remember not having this nightmare (more often than occasionally).

“The Nightmare City” 8″ x 10″ acrylic on canvas w/glow

The dream itself is simple enough. I am in a city. It seems peculiarly “hollowed out”, as if the buildings are all fake, just facades standing in neat rows. There is a background glow, but it’s hard to tell if it is lights left on, or fire, or warfare. I am walking briskly towards some point in the distance, then running breathlessly but wanting very much to stop. I usually wake before I reach that distant point, heart pounding, breathless, and frightened. Sometimes I’m in it, trapped, hurtling towards some point, when a loud blast of noise hits me with physical force, and there is a sort of popping noise and a flash of light, and so much pain. I wake, grateful to have found my way from the nightmare city, again.

The Nightmare City, some other night, different lighting.

I’ve painted the nightmare city several times. Sketched it. Painted in acrylic, with a ton of glow. Painted in watercolor, ephemeral and surreal. Painted in pastels, a city in flames and as a forlorn abandoned place that can’t harm me now. My nightmares draw me back into that strange city again and again, as if there is something unspoken that wants a voice…

Another version, “Urban Warfare”, rendered in pastels, in 2024, when old trauma and new wars collide in my dreams.

My Traveling Partner only shared his theory when I insisted I’d really like to know his thoughts. He shared his impression that it may be a remnant of “the last thing I saw” before (more specifically as) I injured my head. I don’t recall my injury with any clarity, at all. Hints of partial recollections of fragments of vague memories that generally my consciousness mind has difficulty approaching. A sense of…flight? A gasp, like a final deep breath before plunging into darkness? A distant point of perspective that rushes towards me without properly changing as the distance draws near. An explosion of light? Nothing useful. The official version, when anyone would discuss it with me at all, much later in life, was that I fell down some stairs, maybe (and now can we please talk about something else?).

“Daylight Comes to the Nightmare City”, in pastels, 2026.

My Traveling Partner finally admitted, he sees something characteristic and distinct about my nightmare city paintings; to him they can also potentially be seen as a staircase, or bannister finial, from the perspective of hurtling towards it head first. “Once I realized, I can’t unsee it,” he said. Since he shared that with me, I see it too. I touch the small triangular “divet” I feel on my forehead, and trace the cracks I feel under the skin that radiate out from there, to my hairline, and down into my right eye socket.

… And I wonder…

… Trauma is weird. I still see the city, the road leading away, and feel a strangely nauseous feeling when I contemplate walking down that peculiarly dark street as it seems to narrow towards a point. In my dreams, I never quite reach whatever waits at the other end of the road…

For no obvious reason, I hear a Sam Cooke song in my head as I sit with my thoughts,  “… What a wonderful world this would be…”. I sit in the stillness of a summer morning betwixt meadow and marsh, waiting for the sun. Waiting to understand something just out of reach of any clear memories. There’s rarely much anger left over this broken brain – there are more important things to be angry about, these days. I’m okay with who I am, most of the time. I’m grateful for my Traveling Partner, for his kindness not rushing to put ideas in my head out of compassion and love, and for sharing his thoughts willingly and gently when pressed. Considering I really don’t remember my injury, having hints and insights helps me process the unknown, and even the potentially unknowable.

… I’m okay with the uncertainty; I am loved. I can begin again, as often as I need to, in order to heal and grow, and walk on.  I look down the path fearlessly. I am awake, and safe, and life is pretty good. I smile, thinking soft happy thoughts about my partner, my best friend. I get to my feet, grateful, humming some tune that is stuck in my my head…

… What a wonderful world it would be…

Weird morning… but, not really, I guess. That is part of the sensation of strangeness; the morning has been so utterly ordinary it feels rather strange.

[No AI is used in writing or editing this blog. This is human content for human readers.]

I reached the halfway point of my walk in good time. My thoughts are my own.

Very bright (excessively) outdoor lights on a nearby farm building have all been turned on, and they irritate me a bit, but I imagine the farm workers prefer not having to work in the dark. I was grateful when the path turned and put those lights behind me. Walking towards them, they were blinding me a bit. Walking with these very bright lights at my back, the trail ahead is well lit, and my headlamp is not necessary.

Here at this spot along the trail, I can still see those lights, but they are neither helpful nor blinding, only specks of light in the greater darkness. I think about that awhile. A useful metaphor.

I yawn and stretch. How am I this stiff and sore?! I feel like I was in a fight, or endured hours of intense exercise – and I have had no such experiences recently. I definitely could have slept longer. I sit with that thought for a slow moment, doing nothing else. I’m looking forward to a few days of painting on the coast, and watching the tides come and go, over the Equinox… and sleeping in. I’m definitely looking forward to sleeping in.

I breathe, exhale, and relax. I meditate. I reflect on this and that. More breathing (best to keep that going, yeah? 😆).

This is one of those quiet, easy to take for granted, sort of mornings on which everything seems…fine. Pleasant. Quite enjoyable all around, save for the subtle nagging sensation that it won’t last. I chuckle to myself at the very idea that it could be any other way. That’s the tempting lie; imagining that life might ever be other than it is, (which is generally fraught with trauma and turmoil, and challenging circumstances) for anything more than a moment. I smile feeling a little like I know some notable secret that unlocks the mystery of life (I don’t). “Go with it,” isn’t much of a secret. Neither is “be kind to yourself,” nor is “enjoy the moment you’re in”. These are potentially mere platitudes with limited utility. It matters greatly how (and whether) I put them to some kind of use.

…Verbs…

It was nice to get into the studio for a little while yesterday, after work. Productive time for and about me – and considering how good that felt, I should clearly be doing it more often. Hell, I even ended the day with enough left in me to cook a proper meal! (I make an excellent and thoroughly delicious stir-fry.)

…I forgot to grab my lunch as I left the house…

I barely notice daybreak when it comes, sitting here with my thoughts. I sigh and get to my feet. Like a child pulling the covers up over me to be warmer, finding too late that my feet have become cold, I consider beginning work early to end the work day earlier. I laugh at myself. I’m familiar with how that tends to work out in practice; working longer for no good reason, and with little value. I commit to relaxing with my thoughts a few more minutes.

…Then I begin again. I’ve got a whole new day for being and becoming, and practicing practices. I hope I choose wisely.