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The Plan Is Not The Experience

March 20, 2025 //
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The map is not the world. The plan is not the experience. I’m chuckling to myself over my iced coffee, hastily prepared on my way out this morning. I woke at my usual time, but ahead of my alarm. I woke from a sound restful sleep that followed a deeply relaxing day of self-care and creativity.

… I woke thinking it was Monday, and that I was “running late”…

I rushed through my morning routine, quickly made coffee, and quietly left the house (very much in the usual way). I was heading to the office in dense traffic and a drenching rain before I remembered that I’m off work today (and tomorrow… and next Monday…), and that I’ve got very different plans than work. It is, however, raining quite hard, too hard for unfamiliar mountain roads in darkness, too hard for plein air painting with soft pastels, later.

…I hope the rain stops…

I head to a nearby familiar local park with a favorite trail to wait for daybreak, and (maybe) a break in the rain. I’ve got plans, sure, but I’ve also got backup plans (mostly amounting to alternate destinations). Rather than frivolously wasting fuel going all the way to one location then to another, I give myself some time to wake up properly, get my bearings, and wait for more daylight while I think things over. The whole point of this time off is to do with relaxing and indulging artistic inspiration. There’s no need to rush at all. No rules imposed on my decision making beyond being safe. No “timeliness requirements”, no “KPIs” or “SLAs”. If I wanted confirmation that I need this break from work, this morning’s somewhat panicked wake up certainly provided that!

It’s still quite early. The rain pauses long enough for a quiet walk in the pre-dawn gloom along the well-maintained partially lit trail. I gather my thoughts and consider the various locations I’d identified as being of particular interest this week. (Damn, yesterday was such a lovely day! Such a beautiful place!) I’m still inclined to head to the view points I’d selected (already a backup for my original plan, which is at high risk of snow and difficult to access under such conditions), but it’s not a route I care to drive in the dark on a rainy day. I sit with that thought awhile.

One point of view, and a pleasant recollection. Mt Hood in the distance, yesterday.

At some point, a spirit of adventure and eagerness to explore becomes a careless disregard of safety. At some point, a strict focus on safety becomes a fearful reluctance to experience something new. There’s a path between those choices. That’s the path I’m looking for, and hoping to find fulfillment, inspiration, and joy along the way. The “destination” may not actually be important to the experience. The journey is the destination.

I sip my coffee, grateful for the time I’ve taken for myself. Grateful to have recognized the need and acted upon it. Grateful for a partnership that supports and nurtures me. Grateful to see another sunrise. The sky slowly begins to lighten. Soon it will be time to begin again… I wonder where this path leads?

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Categories Allegories, art and the artist, breathe, Free Will, gratitude, Healthy Living, inspiration, joy, Logic & Reason, meditation, Metaphors, Mindfulness, Moments, Oregon Trails, Perspective, Practices, solo hiking, Spring, The Art of Being

Flow

March 19, 2025 //
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It’s already midmorning, still chilly. I’m warming up in the car between hiking and exploring trails, picnic tables, views and moments, and the planned purpose of this adventure; to paint. The honest underlying purpose has already been well met for this day; I have walked new trails, seen new views and new places, and experienced entirely new moments. My mind and my spirit feel refreshed and alive – so alive! It’s lovely. This is a beautiful place, and so early in the Spring (and the day) it is uncrowded.

A beautiful place for thinking and painting.

… There is a popular disc golf course adjacent to the picnic table I finally settled on, but it’s quite a chilly day, so only the most fanatic players are venturing onto the course this morning, and they are few, and no bother…

The sky is a soft featureless gray, at least for now. The river below the steep edge of the bank flows steadily past. It looks fast, deep, and cold. The geese bobbing along near the far shore don’t seem to mind at all. They call loudly to each other. Overhead a bird of prey surfs the air currents, circling a tall tree with a large nest near the top. I wonder if it’s theirs? Are there baby birds in the nest? I sit quietly, watching, listening, enjoying the moment grateful for the military experience of a lifetime ago that prompted me to bring spare socks. Cold wet feet are miserable. My feet are warm and dry, in spite of the muddy trails and occasional puddles.

One point of view.

There’s no reason to rush. I sit, warm, and filled with contentment and joy (and coffee). It’s a nice moment. I savor it. I am hoping the sun will break through for a little while, shortly. Regardless, I’ve found a nice spot for some painting and a chance to begin again.

Where does this path lead?
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Categories Allegories, art and the artist, breathe, Free Will, gratitude, Healthy Living, inspiration, joy, meditation, Metaphors, Mindfulness, Moments, Oregon Trails, Perspective, Practices, solo hiking, Spring, The Art of Being

As If In Another Life

March 10, 2025 //
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I’m sipping my coffee thinking about a strange dream from which I woke this morning, groggy and unprepared for a new day. (I really don’t like the change to DST at all; I’ll be groggy in the morning for days to come.) In this dream, I’d somehow made my way into the basement of a large modern museum, and from wainscot to rafters that space was hung with my art – but only that difficult-to-access basement space. lol Large work, small work, framed, unframed – crammed along the walls, a chaos of color, mostly unsigned. I recognized all of it – even the pieces I haven’t yet painted – and I could examine each one clearly, and recall when (and why) it was painted. I walked through the space, eyes wide with wonder to see it all – so much! There were other things to this dream, a shared living space elsewhere, other artists (with whom I am not yet acquainted), friends (some of whom had slyly snatched a favorite piece from the walls of that place to take along for their own personal joy). What had my attention was the art – so much of it! The pieces I hadn’t yet painted drew my attention most often, and most clearly. I examined them closely, hoping to understand the journey ahead of me more clearly… “When will I paint that?” I wondered as I walked.

Waking up was a bit disappointing; I wasn’t finished looking yet, and had just gotten into a deep discussion with an old friend about a particular piece he was making his own. I wanted to tell him all I knew about it, but he stopped me. “I want to keep the mystery of it,” he said smiling, “I want to love the work in spite of anything to do with the artist”. When I woke, the thought that lingered was “how much of an artist’s signature is simply ego, nothing at all to do with the work? What might the signature take away from the work?” A lot of my work happens to be unsigned, not for any lack of intention to sign it but only because it’s generally the thing I do last – after the piece is entirely finished, the paint dried, and the work ready to sell or to hang, and because I’ve more or less lost interest in continuing to work on it at that point… I forget to sign it, until it’s necessary because the piece has sold. lol Now I’m wondering if there may be value in not ever signing some pieces, at all, and leaving that mystery intact? I sign quietly to myself, and a bit cynically; if I took that approach, sooner or later someone else would likely claim some particularly good or interesting piece as their work… and my ego rebels. There’s something here to think about… maybe later.

I sip my coffee quietly. This morning it feels… medicinal. I’m so damned groggy. Head still foggy from my dreams, feeling not quite awake, yet, though it’s been nearly two hours since I woke. Everything seems to take longer, and feels somehow less “fluid”, less routine, and taking more than usual concentration and effort. Putting words together feels a bit cumbersome and awkward. My morning oatmeal is an exercise in will; it is 100% quite disgusting this morning, and I wonder why I bother. Nothing “sounds good”, and I am noise-sensitive, and a bit cranky – I’d rather be painting. lol I have in mind a particular piece I saw in my dream… my fingers itch to put it to canvas or paper, to see it come alive in front of my eyes. (Was I actually using the heads of thumb-tacks in that composition – or were those sequins? Where did I get so much gold dust??) I chuckle softly; now is not that time. Even as the thought crosses my mind, I recognize that trying to create that piece today would only be a dim copy; it is not of this moment. I don’t work in that style or with those materials, these days. I breathe, exhale, and relax, and let the dream fade away as I sip my coffee. This coffee is so good this morning, and I am grateful to have it.

I look at my reflection in the window, a mirror in the predawn darkness. I look tired. (I feel tired.) I watch myself stretch, and gently rub the frown lines from my forehead. This too will pass, I remind myself. It’s already time to begin again, anyway…

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Categories Allegories, Art, art and the artist, breathe, Free Will, gratitude, inspiration, meditation, Metaphors, Moments, Perspective, Spring, The Art of Being, Words

How What If Works

November 3, 2024 //
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Yesterday was a good day end-to-end. I sip my coffee thinking about it, and waiting for the sun. Daylight Savings Time ended in the wee hours this morning, and dawn will seem to come an hour earlier. There’s no “real change” to when the sun will rise, only to where we human beings place the occurrence on our clocks. I sit with that thought awhile. Time is interesting to contemplate.

I spent a couple pleasant hours at my easel yesterday, painting. Well, more accurately, I was painting at the dining table, and the piece of Pastelbord I was painting on at any given moment was taped to the table to prevent it sliding around. I no longer have an easel, and if I still had my enormous floor-standing easel I wouldn’t be using that, it was far too big for the small work I presently feel inclined to do. lol Having a tabletop easel might be nice, though; pastels are dry, but still manage to be quite messy, as little drifts of colorful dust settle here and there. An easel would tend to keep the work itself cleaner, requiring fewer pauses to carefully blow off the loose pastel.

Colorful flowers, insignificant and delightful.

I think about having a French easel, too, for working en plein air (an unnecessarily fancy way of saying “outside”). I shop for something of that sort, again and again, trying to find a combination of characteristics I like, and that properly suit my painting style. It’s proving to be surprisingly difficult. I sometimes wonder how much what I just don’t yet know about what I actually need may hold me back from recognizing what may realistically suit me in practical terms. We don’t know what we don’t know, and every “what if” scenario is incomplete because of that. I sit thinking about that for awhile.

Some autumn sunrise from a favorite view.

I sit contentedly reflecting on the paintings I painted yesterday. Each pleases me in some way. Each has some detail I’m more critical of. It’s funny that I’m simultaneously quite delighted with them, while also seeing them through critical eyes. I smile at the flowers, while thinking “ah, but if I had done this other thing, wouldn’t it be better?”, but I don’t really know that it would be better – only different. Thinking about decisions in life is much the same; we can consider how we might have done differently, but we can’t know what that other outcome might truly have been.

“What if…” is like any other sort of wishful thinking or daydreaming; we can’t really know, we can only wonder.

I watch the horizon for daybreak. Soon. I sip my coffee. It’s a chilly morning and the warmth of the hot coffee cup in my hands feels good. I think about how good a hot shower will feel after my walk, and smile with some satisfaction that the dishes are already done and won’t be waiting for me. Such a mundane detail to give me so much pleasure. It’s funny (to me) what sorts of utterly practical things can provide so much contentment and joy.

I think about my Traveling Partner, sleeping at home. He continues to make progress with his recovery, and it’s really beginning to show. That’s an immense weight off my heart, I admit; I’ve felt so helpless and worried. Caregiving is a lot of work, but beyond that, I really want my beloved to live (and enjoy) his best life!

Day breaks on another rainy gray autumn morning. The trail is visible as the sky lightens. There’s a mist clinging to the ground and the scent of the marsh is in the air. Everything seems quite still and quiet. Later, there will be time for painting between loads of laundry, and happy hours hanging out over coffee with my Traveling Partner, talking and sharing life. For now, it’s time to put on my boots and get out on the trail, and begin again.

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Categories Allegories, Art, art and the artist, autumn, Brain Injury, breathe, Free Will, gratitude, inspiration, Love, meditation, Metaphors, Mindfulness, Moments, Oregon Trails, Perspective, Practices, Relationships, solo hiking, The Art of Being

Who Are You Doing It For?

October 14, 2024 //
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I’m sitting quietly in the pre-dawn darkness, waiting for the sun and sipping my coffee. I was up earlier than planned, earlier than I needed to be. Early. Laying around restlessly seemed more likely than going back to sleep, so I got up quietly and dressed, made coffee for my Traveling Partner, who was (probably still is) sleeping, and slipped out of the house and down the road to this nearby trail.

Long exposure with the night settings reveals a hint of purple in sky I wouldn’t see otherwise.

This morning I am feeling aggravated over nothing. I’m not certain why I feel this way. My headache, maybe? Maybe the lingering irritation over yesterday’s attempt to relax at home and paint while I did the laundry. That didn’t go well, although I did do a bit of painting, I gave up on it rather quickly rather than deal with my headache and my partner’s irritation with me. It was just too hard to create a comfortable creative space so I said “fuck it” and put it all away, and laid down for awhile hoping to also put the headache to rest. I wasn’t successful at that either. The headache is with me still.

Tears well up as I think about it. There’s more going on here, maybe something that needs more thought and care? It would probably be helpful to have a better understanding of what is actually causing this feeling of hurt.

“Why do you do this thing that you love?” I ask myself. It’s a question worth knowing the answer to, isn’t it? I’m not what would be considered a commercially successful artist. I sell pieces now and then, but I don’t invest energy (or time, or money) in representation, or the business of art. Definitely not “why I do it”, like, at all. I paint because it’s another way to communicate things I don’t have words for. I paint because the process itself meets an emotional need, and satisfies something within me. I love to see my work hanging in my home. It’s always been “about me” – by me, for me. I’ve always been okay with that, too, though I definitely get great joy from the experience of someone else enjoying my work.

Even in my least comfortable, unhappiest relationships, my partners at the time made room for my art, and for my creative process (and the occasional mess). My boundaries and needs as an artist were respected (and even in my terrifying violent first marriage). I felt valued as an artist even when I didn’t feel valued as a human being. Maybe that’s odd? It “felt right”. The people in my life, regardless how they seemed to feel about me, personally, in a given moment, seemed to appreciate my artistic work.

… Things have been feeling different, lately. Artistically, at least at home, I often “don’t feel heard”. I sometimes have a peculiar sense that “nothing I do” (artistically) matters at all, and that the art is, itself, a nuisance or an inconvenience. As if it’s somehow just “in the way” or taking up space. It’s a very strange and very unpleasant sensation.

I breathe, exhale, and relax. I sip my coffee and wonder what there is to learn from this feeling, and this moment. I work on fitting it into the context of life, right now, with so much else going on. It’s been a while since I have been this productive as an artist, and although that is definitely meeting needs for me, what effect does that have on my Traveling Partner, I wonder? He’s certainly got his own shit to deal with right now, and any time I spend artistically is potentially time I am not spending focused on caregiving. Does he have feelings about that?

I am eagerly embracing the joy of feeling inspired by a new medium, and wanting to spend more time on painting (and savoring the feeling of satisfied inspiration), but I’m missing feeling a sense that my partner is enjoying it with me… and I don’t know why. Maybe he honestly just doesn’t care for the paintings I’m doing right now, but doesn’t want to hurt my feelings? Maybe my notion of what enjoying them looks like is a poor fit to the reality of it? Landscape paintings are probably less cognitively demanding of the viewer than abstraction, perhaps they don’t lend themselves to prolonged conversation?

… Maybe it isn’t about any of that at all…

I sit quietly with my thoughts. This isn’t going to be worked out over a single cup of coffee before the sun rises. It feels important, though. It’s a good time to remind myself that I paint to satisfy something within myself. The person who really needs to hear me is…me. Am I listening?

I have been here before. Self-reflection is a process, and a practice.

I sit thinking about the many hours over weeks, months, and even years that I have gazed thoughtfully at my paintings, hanging here or there. I’ve barely gotten started in pastel. Have I truly taken enough time with each new work, once completed, to really “get the point”? Am I feeling as if I were shouting in an empty room because I have not given the new work enough of my own time and attention? This feels relevant and real.

I’ve been painting in pastel for just 96 days. Over 96 days, I’ve painted 25 new pieces. That’s not my most intensely productive pace, but it’s damned close…am I spending enough time appreciating the work, reflecting on each new piece, and understanding what I’m going for? Maybe not. I think I’ve been tending to finish them, take some pictures, and move on to the next piece – sort of the artistic equivalent of talking without letting anyone else get a word in. The art isn’t being given enough time to really “speak to me”, I suspect – and I have to wonder if this is a bigger deal than I understood?

A new day dawning.

I sigh quietly, and wonder what to do about it. I drink my coffee pensively, looking at the hint of daybreak approaching on the eastern horizon. I shift uncomfortably, pain (arthritis, headaches) isn’t helping my mood. I breathe, exhale, and relax. I’ve got this day ahead of me. Things to do. Things to think about. I prepare to begin again.

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Categories Anxiety, Art, art and the artist, autumn, Brain Injury, breathe, Frustration, gratitude, grief, health, inspiration, Love, meditation, Metaphors, Mindfulness, Moments, more than a little bit of bitching, Oregon Trails, pain, Perspective, Practices, Relationships, solo hiking, The Art of Being, Words
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